Hanif Elham another targeted media activist in Afghanistan

Hanif Elham,

• Editor, writer producer for ATN ( Ariana Television Network)
• Producer/ director for the show Booye Maah ( literary and cultural program on ATN)
• Broadcast Journalist for Ariana FM 93.5 MHZ (Kabul)
• Writer, researcher and adviser for Deedenow Cinema Production Afghansitan
• Editor in chief for the website of and a member of board of Directors of Academy of Art and Cinematic Education

Since the number of battles and suicide attacks have been increasing day by day as a result of the Taliban’s re-empowerment, life is getting more difficult for the Afghans, especially the intellectuals and the media activists.

Reports show the year 2007 has been the worst year for the security situation since the establishment of the interim government of Afghanistan.

Recently, while I have been in exile I heard that Hanif Elham a colleague of mine in ATN, Deedenow Cinema , and the Academy of Art has been threatened to death by the Taliban. Mr. Elham is a broadcast journalists who has been working day and night in Afghanistan for freedom of speech, human rights, and democracy.

Mr. Elham has been threatened and intimidated because of his popular radio program on Ariana Radio, “Imroz dar Tarikh” or in “Today in History” that presents news stories of what had occurred on the same date in previous years.

As a result of more than two years’ hard work and research, Mr. Elham has been able to collect reports that detail the destruction and killings perpetrated by the Taliban during the five years of their rule. They describe their cruelty, massacres, and hidden relationships with the other countries like Pakistan.

Mr. Elham interviewed eye-witnesses, and collected personal diaries, and newspaper clippings. He has been able to write what the Taliban did on every single day of their reign.

This remarkable effort for democracy and justice made his program unique and popular.
After a few months, in almost every house where Radio Ariana had coverage, people listened to this program each morning from 6:30 to 7:00.

As a voice for victims of human rights violations, Mr. Elham received many thoughtful and appreciative letters and calls. The program’s popularity alarmed the Taliban. They did not tolerate a voice revealing the truth about them, so they called him and threaten him with death. Mr. Elham continued, so they sent him warning letters. Mr. Elham has ignored the threats and continues his work for an unknown period of time, even though he knows it is not safe for him and his family.

Hanif Elham is sure that there is always need of sacrifice, to nourish the tree of democracy and justice in a post-conflict country like Afghanistan. Now it is our responsibility as media activists to become a voice for him and support his continuing work, which is the will of the majority.

Let us all become a strong voice that speaks about his situation to the people of the world. Let us all once again take an oath not only for Hanif Elham but everyone who stands for democracy, and does the brave work of bringing the rule of law to a country where there has been none for decades.

Undoubtedly, one of the ways to stop this intimidation, which has become a new strategy for the Taliban and the extremists of Afghanistan, is to form a strong network worldwide. It is important to reach out to the world and ask the International Community to find ways for safety and protection of journalists and media workers not only in Afghanistan but all over the world.

Let us all become one voice, condemn these threats and intimidation. Let us pray for the safety of Hanif Elham. Let us reveal the work of the Taliban and extremists around the world.

Misuse of the death penalty in Afghanistan

Misuse of the death penalty in Afghanistan
by Amin Wahidi

Recently Afghans witnessed that fifteen human beings were executed after being tried by the judicial authorities of Afghanistan. Among those fifteen, some were accused to be murderers, some drug traffickers and some kidnappers who all faced the extreme penalty, death by hanging. This was shocking news for a young Afghanistan that practices democracy as a herald for peace, fairness and justice and for which it has the support of international community.

Since the collapse of the pro-communist government and empowerment of the Mujahedeen in 1991 there has been chaos throughout Afghanistan. The government became an Islamic state and the courts had to operate based on Sharia (the Islamic law), but there was not an appropriate court where a person could address his legal problem and find justice. Like in the jungle, the wealthiest and most powerful were the law.

As a result, when people face a serious legal problem, they do not know where to turn. They do not see that a court can solve their problem through a fair legal process.

In the chaos of the civil war, every Jihadi commander had his private court (which was his commandant station) and his guns and soldiers were the executive force and tool to enforce his decisions. Many people were jailed, tried, tortured, and even killed but there was nowhere to complain about it and no one could dare to discuss or object to it. For several years it was like this and a generation grew up with no rule of law and no justice in the country.

The point here is whether the sentence for the recently executed people was fair. Many people believe that our judicial branch, from primary to the Supreme Court are corrupt with bribery, bias, and influence by warlords.

People believe that if the government really wants to bring justice to Afghanistan, it must start the huge process of investigating and prosecuting those whose hands are contaminated by innocent people’s blood. Many people are still suspected of committing serious crimes against humanity, or of betraying the national interest. They need to face justice, but that does not happen because of their relationships with senior government officials, cabinet members, or former Jihadi leaders.

Many Taliban have committed crimes such as beating and stoning innocent or raped women. Innocent people including women were massacred, and many more crimes were committed when they were in power. But they are still free, enjoying their life as if they have done nothing wrong at all, only because they are from a particular area or particular province.

This essay is not to defend criminals who have committed serious crimes and faced the death penalty. I only ask for general for transparency in the trials of accused persons, so that in punishment there will not be discrimination.

I am concerned that there is not clarity and transparency in the trials of the criminals or people accused of a crime. When the government, acting officially or not, misuses the death penalty as a tool against political opposition, free media activists and whoever observes and criticizes misdeeds of the administration, this is a problem.

Iran and China are famous worldwide for using the death penalty of hanging for opposition or anti- government political activists in their country. Afghanistan must not join them in this.

War criminals and present and former Taliban commanders are forgiven or exempted from any kind of prosecution. They are welcomed to get their share of power in the government, but poor, petty criminals who have broken the law for reasons of poverty, hunger, unemployment or mental disorder face the extreme penalty.

The USA, the biggest supporter for Afghanistan, still has the death penalty in some States. Even there, the fairness of the death penalty is questioned by many. Most countries supporting Afghanistan (primarily European) have completely removed the death penalty.

Afghanistan should remove the death penalty and join the progressive international community, because it is so unfairly handed out as a political tool, not as punishment for crimes. But it doesn’t seem this will occur soon, since the president’s spokesperson recently announced that executions will continue in our country.

editorial assistance from Robert Maier

Flight of thought from Afghanistan!

After hearing about the latest security situation in my country, I wanted to write some paragraphs under this title. Two suicide bomb attacks have occurred in the same week in Kabul. A fifteen year-old boy (who was accused of being a spy for the Americans) was executed by the Taliban in Himland. Kamran Meerhazar, the outstanding and controversial young Afghan journalist, has fled the country. The government has failed to take action about the influence of the Taliban and other extremist groups within the government.

I am not sure where to begin my analysis of this situation, which forces many people (especially Afghans who work for the media, cinema, and with foreign agencies and organizations) to flee the country and live, homesick, in exile.

Sometimes it really bothers us, watching day by day as Afghanistan loses the people who really want to work for development and democracy in the country. It is one of the most dangerous sicknesses, especially for a developing country, when the flight of thoughts, or in other words the flight of intellectuals, professionals, cultural activists, artists, musicians, theoreticians, scientists, writers, and journalists, begins.

The human resources of this young generation are the most valuable form of wealth for countries like Afghanistan. They are important factors in the transition from a post-conflict society towards further development. Afghanistan needs a young work force for reconstruction in all arenas.

The present generation of Afghans, working in offices in various fields, are the result of study and work opportunities in other countries, near and far. It has taken at least a decade to build them, but so far the universities, and as a whole the higher education system of Afghanistan, have not been standardized and have not been able to train and graduate well-qualified and professional people to meet the demands of human resources in the country. There is still no modern and standard higher education curriculum available in all the universities.

The chapters being taught are at least 25 years old and there is rarely access to updated information on science and technology. The government did not have a specific plan for training the new generation of cadres to start work in the near future. Statistics show that Afghanistan has a very young generation, full of work potential, that even some European countries, like Italy, cannot equal.

If the government fails to normalize the situation by strengthening different sectors of defense and interior affairs, and stopping the threats and intimidation faced by people working in the media and foreign agencies, the flight of thoughts which has already begun will be accelerated. Not only will the government itself suffer a lack of professionals in its departments, but it will cause a lack of confidence from the international community in the Afghan government, and the flight of national and international investments from the country.

The passage of time has shown that President Karzai's administration has failed in the security sector and in building confidence.

President Karzai's administration is faced with challenges on many fronts nowadays. First, the internal governmental machinery is corrupted. Bribery is an ordinary thing in different levels of the government; the appointment of provincial governors and the chief of security police are still based on the sharing of power with former Jihadists; and the narcotics industry which feeds the Taliban has survived—it has even been increased in certain parts of the country (like Hilmand, Kandahar and Zabul) where the Taliban still have power.

Seeing all this, President Karzai's administration opens offices of amnesty and forgiveness for the Taliban. It releases the Taliban who have been captured on the battle fronts or have been arrested while perpetrating terrorist attacks, doing so based only on some ethnic relation, and giving money to them as a reward.

And now, after all the exaggeration about the Taliban by media (which I think has been a free advertisement for them by the national and local television and radio stations), they are taking advantage through several tactics and measures. They are kidnapping foreigners, kidnapping journalists, torturing and killing the people working with the foreign organizations and agencies, trying to influence journalists through intimidation, and increasing the numbers of suicide attacks in cities.

The green lights that President Karzai's administration has given to the Taliban have increased the Taliban's courage. The portrayal of these events in the national and international media shows the failure of this administration.

The Taliban are now courageous enough to challenge the government by repeating their unacceptable demand to President Karzai’s administration and the international community, which is to pull out all the foreign peacekeeping troops immediately from Afghanistan.

As a result they have shown a red light to answer the green light of the government, and have demonstrated that they are still powerful and can challenge the government at any time.

The two recent suicide bomb attacks that took place in Kabul, and execution of the fifteen year-old boy by the Taliban in Hilmand, are evidence of the fact that President Karzai's administration needs to shake a leg and take the situation seriously. They should stop missing chances and act to strengthen the defense and interior affairs sectors. Otherwise, without social or personal security, the country will soon be out of national and international professionals and the human resources which make the government stable.

Yours Sincerely,

Amin Wahidi

editorial assitance from Nathan Hartle

To the victims of the latest suicide attacks in Kabul

Booooom! The horrible and terrifying sound of explosion bangs you, your ears jingle and you don’t know if you are okay or not. You see crowds rushing away and there is dust and smoke going upwards into the sky. You hear ambulance sirens followed by the vehicles of police and intelligence forces. Your own mouth hangs open; you know nothing about what is happening. You once again check your body and ask yourself, am I really completely fine?

While your ears continue to jingle and you smell smoke, dust and human blood, other people run away or wail and cry. The policemen shout to the crowd to leave and spread out, and you thank God that you were safe this time. You make your way home with uncertain steps. If there is another explosion what will happen to you, will you still be safe and alive? Who knows except God?

The images still bother you, even when you are in your bed, which should be your most comfortable and safe place. You remember the innocent women and children who had no fault and no sin, no mistake and no enmity with anyone, who were killed before your eyes just a few meters away from you. Where you could have been killed too!

You start thinking, and you think and think until the next morning arrives, but you never find a reason why these innocent people were killed or who could be responsible for this cruelty. You begin the next day with no guarantee or assurance of your safety for even a moment. How long will you live? Will another explosion hit you today? Will it hurt or kill you? God knows. This kind of life is like a house in water; at any time the flood can come and take it away and destroy it.

It is one side of the coin to be an ordinary person living in Afghanistan, but when you are an artist, a writer, a journalist, a VJ or a filmmaker you are more at risk than an ordinary person. You feel more responsibility than the ordinary men of your society. Your passion is to take your weapon, which is a pen, and use it for the welfare of the other living beings in your society. Instead of thinking only about who is responsible for these crimes, you go further and find solutions—maybe some ways to prevent and stop all this bloodshed. You come to the point of writing about it, making a play about it, or making a film about it, creating your own depiction of the cruelty of suicide attacks.

Then you have to begin building a story about it. Day and night you write, and finally you complete your story and adapt it into a screenplay, a screenplay ready to shoot! But then you need funds and support to film your written screenplay. You look for different sources to get your film funding. You think it might be better to look for it further from home, so you decide to go oversees, to another land. You travel to a land that you have never seen before, hoping to meet some people who can help you realize your thoughts and your vision, and deliver your message to your nation.

This still would not be enough. You have to advertise your film wherever possible: in your blog, on your website, in the newspapers, with your friends, on television when you have an interview, and wherever else you can reach. Then you return to your homeland with full hands, but what you receive are curses instead of rewards!

You are faced with terror, with intimidation, with the threat of death! This is the end, you think. You have lost everything: your family, your home, your people, your comfort, your wealth, your life...But in the dark, when everyone else is asleep and you are still thinking about it, you hear a voice saying: No! Never give up! This is not the end; indeed this is the beginning of a new stage of life, a new way of living. Just keep going and going, you will obtain what you want and achieve your goals.

You are confused. Who could have told you all this? Maybe God? No! You are not a prophet, that God tells you things. Maybe it was an angel, or maybe it was your heart. But it doesn’t matter at all, because you will begin your next day full of hopes and you will take your steps more firmly. Tomorrow is brighter than today, because by then the blind-minded suicide bombers will be regretful of the wrong way they have followed and will feel the fire of hell.

"Treasure in the Ruins" screening at Milano Film Festival

"Treasure in the Ruins" was screened in the 12^th edition of the Milano Film Festival, held from Sept. 14 to 23, 2007 in Milan, Italy. After attending the EIUC summer school and Venice International Film Festival, Amin Wahidi traveled around Italy to meet with different people involved in arts and cinema.

When arrived at the Milano Film Festival on Sept. 14, the festival had already set its screening schedule weeks beforehand.

Fortunately, being a hopeful young filmmaker Wahidi was well received by the director of the festival, Mr. Beniamino Saibene, and his staff. He spent two days in the festival directors' house. Finally, his film was picked for an Aug. 16 screening in the Stranglehold Room of Milan’s Parco Sempione.

Called the Salon des Refuses, this screening area is set aside for the festival’s non-competition and late-arriving films. This part of the festival is an important platform, being within reach of unknown and underground directors.

Screening both short and feature films, the Milano Film Festival is smaller than the Venice International Film Festival in size, but is much more interesting and useful for young, lesser-known filmmakers. This year the festival was accompanied by musical performances.

Another interesting thing about the Milano Film Festival is the participation of many volunteers from different countries as helpers and facilitators. This distinguishes the Milano festival from the other ones in Italy.

Deedenow Cinema is keen to take part in future editions of this film festival by volunteering in some of the activities and sending their films (on time) to the festival.

From Italy Back to Kabul with Enthusiasm or With Fear?

Soon I will be going back home. I think life is hard and harsh sometimes. When we face censorship, difficult sometimes. When we cannot work as we want, being threatened; sometimes when not sleeping at all the whole night because of threats and intimidation, but still very lovely and very sweet with all the harshness and difficulties in my lovely Afghanistan. And I am happy to carry new experiences to my hometown for the other young Afghan filmmakers.

The first day I arrived in Venice, Italy I was really impressed, seeing a whole city in water with ancient buildings existing from centuries back, in the same brownish color with many ships and boats and tourists in this city.

Seeing many tourists I thought it may have been nice not only for me, but maybe every new visitor would have the same feeling as me.

But after one week when I got used to the beauty of the city, I was very busy with lessons, the Venice Film Festival and did not have time for real enjoyment of the city. I still enjoyed the workshop itself, meetings with famous and well-known filmmakers of the world and the film screenings at the festival.

Later on, when I received the comment from the horrible “almujahid” on my blog and his email in my mailbox it was really a bang for me which shocked me with fear.

And thereafter I did not enjoy anything at all in Venice, except talking with my parents and family members on the phone about their safety and security.

This became a real trouble I felt, which made me a bit sad among the other participants of the workshop and led me towards loneliness and thinking in the bathroom under the shower for the rest of the days.

And now when getting ready to leave Italy back to Kabul, I break my heart into two halves, keep one half in Italy, and take the other with me back to my homeland. The one remaining in Italy will contain memories of EIUC Summer School professors, students, the directors I met in Venice Film Festival and friends I made especially there. The other part will be in my hometown, with my family, with my friends back at home in the middle of dust, fire and hardships.

Now on I have started imagining the moment when my plane will be landing in Kabul, what will exactly happen to me? Will I really be killed as soon as I arrive there? Or will I have some time more to survive and live? Well, God knows better, but I still believe that will definitely happen and nobody can escape or stop it when something is already written in my fate and predestination! May be for me it is written, death at 25 caused by writing something about the Taliban and making a film about them?!

The worst things trickle in my mind are the questions; what will happen to the rest of my plans that I already made if I die this soon? Who will take care of my family? What will happen to education of my younger brothers? Who will represent the Academy of Art of Afghanistan?

Who will manage the international coordination of young Afghan filmmakers? Of course there will be someone to do all these things instead of me one day, but how long will it take?

How many more years will be spent that all these things would shape from the beginning which already took me at least four years to reach this level?!

About my family I do not care if I die, they may less suffer because of me and my activities and my second brother will take care of the family after me. But I worry about my bigger tasks, the responsibilities that I undertook for my society for the young Afghan filmmakers, Academy of Arts, Radio television programs and many other bigger tasks.

Sometimes I go thinking, I am walking in the streets of Karte Sey right in Pol e Sorkh cross road where I get off the bus and go to my work in NDI every morning. I imagine I am in the ground floor of Maiwand Restaurant where I and Mehdi (my friend who nowadays works on a documentary about Afghan journalists in danger) sometimes went there for tea or juice drinks and discussed our film works.

Sometimes I imagine that I am in Pohanzaye Honarhaye Zeba with my friends and classmates (The Fine Arts Faculty of Kabul University) where I study cinema and theatre night shift there. But you know all imaginings are not more than blinking pictures in one’s mind, nothing else I can do except repeat them in my mind.

And now when I remember the time when I was departing from Kabul to Italy, I posted the information about our trip titled “from Kabul to Venice with message of brotherhood” and now when I am moving back towards Afghanistan I am carrying good memories of Italy but with fear of being killed.

Now let’s go back to Kabul. I am sure if I live longer when I go back, soon I will start working on my numerous projects including the important one “The Keys to paradise” for which I was already seriously threatened to death; but still no worries.

So sorry to take your time, but want to tell you what I will be doing within one to two next years;

The project proposals that I submitted to the EIUC Summer School I attended recently are short documentaries about freedom of expression titled “ Afghan Diaries.” I have a short and a feature fiction film about the suicide attacks of the Taliban for which I am still looking for co-producers.

Want to remind again that the purpose of this writing is not to talk about my self but just to let you know how difficult it is to work for freedom of expression in Afghanistan.

Although up to this moment, some questions are still unresolved for me for instance; when I know that I am threatened to death, is it not foolish to go into the fire on my own feet?

Or if I stay here in Italy will I be able to do all what I did in Kabul? Or at least will I be able to pursue my higher education here in Italy?

Therefore I want your comments and your suggestions and I again invite you to my blog. Please read it frequently and leave your comments on my writings. This, for the purpose of supporting freedom of expression in the emerging democracy of Afghanistan.

God bless you all.

Experiences at EIUC Summer School and Venice Film Festival

The EIUC Summer School on Cinema and Human Rights, held simultaneously with the Venice International Film Festival, is one of the best programs on cinema and human rights. It brings the two fields of study together for a better purpose.

Through this program people from both fields—the film industry and human rights activism—shared their ideas on how to use cinema as a tool for humanitarian purposes.

In addition to the modules taught in this summer school, participants got the chance to meet with different filmmakers, including famous ones such as Ken Loach and Penny Woolcock. It was useful to get to know in-depth their thoughts and very personal experiences in the industry.

Overall the summer school and the festival were very good experiences, especially for the young filmmakers and human rights activists of the countries participating.

Representing Afghanistan’s Deedenow Cinema, Amin Wahidi has learned so much from his summer school and has made many contacts with filmmakers attending the festival.

Deedenow Cinema is thankful to those devoted individuals and organizations that have facilitated Amin Wahidi's participation in the program, namely Robert and Kathryn Maier, George Eimemermann, and the Bayat Foundation.

The summer school was held from August 23 to September 12. The program included participants from Afghanistan, America, Bahrain, Bangladesh, France, Italy, Libera, Nepal, Sweden, Turkey, and Zambia.

At the end of the summer school the participants were given certificates.

Yours sincerely,

M. Amin Wahidi